If you attend Rossini’s opera Otello (1813) expecting something close to the structure and poetry of Shakepeare’s original – as Lord Byron did when he went to a performance in Venice in 1818 – you ...

Chicago Symphony Orchestra audiences are accustomed to Riccardo Muti’s signing off for the season on a grandly upbeat note, such as he did last year when he closed the subscription series with a ...

Classical music struck me as a chore when I was a kid. It’s not that I didn’t like the way it sounded; I was just too restless to sit through the concerts my mother would drag me to, or even to make ...

François Couperin was one of the baroque era’s greatest keyboard composers. Did he write any orchestral music? Er, no. Though listen to a few minutes of Hugo Reyne’s version of his trio sonata “La ...

“Let’s do a Rossini comedy that doesn’t exist yet,” the head of the Glimmerglass Festival said. Coming soon: Ken Ludwig’s “Tenor Overboard.” By Elisabeth Vincentelli Comic operas tend to be ...