the building will be a unique asset for champions of social justice across sectors and geographies—a vibrant, fully ...

I m eet the Old Masters dealer Ben Hall at his private Upper East Side gallery and office, which sits in a five-story ...

Beethoven’s middle movement, Largo, is in E major. Bronfman played the opening like a hymn. The music had a religioso feeling ...

S oo n after the opening of the 1934 Venice Biennale, Juliana Force, the commissioner of that year’s U.S. pavilion, was ...

The Iowa poll is (or was) a highly respected operation whose results could not be easily dismissed. The poll has been a ...

Daniel J. Mahoney on “A Summer with Pascal” by Antoine Compagnon, translated by Catherine Porter.

David Platzer on “Louise d’Orléans, First Queen of the Belgians: A Romantic Destiny” at the Musée Condé, Château de Chantilly ...

Most art lovers know Jusepe de Ribera’s The Club-Footed Boy (1642) in the Louvre, but much of his work can get lost among the ...

A Biography” by Ann Schmiesing.

Brooke Allen on “All the Rage” by Virginia Nicholson.

For an adulatory audience, the eightsome played an encore: an arrangement of the last movement of Fauré’s Requiem (In ...

Eric Gibson on the influence between the two contemporaries.